Dr Caroline Fisher joined NUA in 2016 as Gallery Curator and is subject specialist supporting students on the MA Curation course. She attended Central St Martin’s College of Art from 1996-9 and completed her MA at the University of East Anglia in Museum Studies in 2008. She subsequently worked at Norwich Castle Museum, the Wellcome Collection, the British Museum and as a freelance curator with a particular interest in site-specific practice and the relationship between art and medicine.
Dr Judith Stewart’s research focuses on the points where culture and politics collide. This has resulted in a number of projects relating to landscape, including an Orford Ness Residency, 2011, and the Of Other Spaces exhibition at Sheffield Institute of Arts Gallery, 2014. She is particularly interested in collaboration and the role of dialogue within art practice.
Her experience of working with gallery education and socially-engaged practices as an artist, curator and researcher prompted her PhD research (2007) into the impact of the social inclusion agenda on artists and their work. Read Dr Judith Stewart’s staff profile.
Since completing a PhD on the Surrealist Object, Professor Krzysztof Fijalkowski’s research has focused on the history and theory of surrealism leading to publication in academic journals, books and exhibition catalogues (including V&A and Barbican) as well as monographs.
Recent areas of particular interest have included the relationships between Surrealism and design; Surrealism in Central and Eastern Europe; and Surrealism and photography. Other public outcomes have included involvement in the curation of exhibitions, the writing of artists’ catalogue texts and more experimental critical writings for a range of independent journals and publications. He is also currently involved in co-editing two publications: Surrealism: Key Concepts for Routledge, as well as an encyclopaedia of Surrealism.Read Professor Krzysztof Fijalkowski staff profile..
In 2014 Professor Lynda Morris curated John Wonnacott & John Lessore: The Life Room and the City at Norwich Castle Museum and NUA Gallery to celebrate the 170th anniversary of NUA’s founding in 1845. She worked closely with Wonnacott and Lessore at NUA from 1980 to 1985, and understood their work in the life room as an aspect of modernity. She also contributed an essay to the major exhibition of British Painting 1950-80 launching the LWL-Museum für Kunst und Kultur at the Westfälisches Landesmuseum Münster. Genuine Conceptualism 1969-1976 was organized by the Herbert Foundation Ghent, together with a collection of Lynda’s writings on Conceptualism 1969-2014. She also wrote two new essays on the period for Frieze d/e and Texte zür Kunst in Germany.
The exhibition Dear Lynda… a documentation of her 45 years of curation beginning at the ICA in 1969, recently toured to White Columns, New York; CHELSEA space, London; the Gallery at NUA; and BQ Berlin. As an AHRC Research Fellow, she recently curated Picasso: Peace and Freedom at Tate Liverpool. Read more about Professor Lynda Morris..
Watch a film of our Postgraduate students discussing their practice at the MA Degree Show.
Find out more about the community experience of studying for a postgraduate degree at NUA.
The best way to experience what NUA has to offer is to see for yourself at one of our open days for undergraduate or postgraduate courses.